Quartet

It's our AGM on Thursday, so time for the final film of the season.

We try to choose something that will bring in the punters so that they will renew their subscriptions for next year, and this time we've chosen Quartet: something that will fit our age demographic perfectly :-)

I've not seen it and am looking forward to it very much.  Here are my notes:

Quartet

UK 2012                      90 minutes

Director:                      Dustin Hoffman

Starring:                        Billy Connolly, Maggie Smith, Michael Gambon, Pauline Collins, Sheridan Smith, Tom Courtenay

Awards and Nominations

• Nominated for one Golden Globe (Maggie Smith as Best Actress in a Musical or Comedy)
• A further three wins and one nomination

“There’s a gentle, sugared honesty in Quartet about old age: it stops short of anything too testing or tragic.  This is a lot closer to The Best Exotic Marigold Hotel (2012) than it is to Amour (2012), and the only final curtain here is made of heavy, red velvet.”

Robbie Collins

At Beecham House, a home for retired musicians, the annual concert to celebrate Verdi's birthday is disrupted by the arrival of Jean (Maggie Smith), an eternal diva and the former wife of celebrated tenor Reggie (Tom Courtenay) one of the residents.

 

The screenplay is by Ronald Harwood, who adapted it from his play of the same name with the particular members of the film’s cast in mind.  In recent years Harwood has written the screenplays for films as diverse as The Pianist (2002), Oliver Twist (2005) and The Diving Bell and the Butterfly (2007) as well as working on the screenplay for Australia (2008) but before this he had a distinguished career as a playwright and novelist.  Initially he had intended to become an actor, and a fascination for the stage and its performers is a recurring theme in his work: in addition to Quartet he wrote both the original play and the screenplay for The Dresser (1983) (one of the best plays and films ever written about the theatre) which starred Tom Courtenay as the general assistant to an elderly actor, After The Lions, a play about the French actress Sarah Bernhardt and All the World’s a Stage, a general history of theatre.

The director of the film is Dustin Hoffman, making his debut as a director at the age of 75.  Hoffman received much critical acclaim for his work on the film.  As the late Roger Ebert noted:

“What’s ... evident is that he loves the stage, loves show business and has a heart full of affection for these elderly survivors.  He also loves his location, here called Beecham House, and scenes are bridged with many shots of the elegantly landscaped grounds.”

After an award-winning career on stage and in film which has included, amongst many other nominations and awards, two Best Actor Oscars and three BAFTAs for Best Actor, in 2013 Hoffman won the Breakthrough Directing Award at the Hollywood Film Festival.

Here's the trailer:

Carnage

One of my jobs within our Film Club is to email our members to let them know what we will be screening and to send them copies of my notes to give them some background to the film.

My usual email title is [film title] at Village Hall but this week, as we're screening Carnage, I had to make sure I had inverted commas in the right places:

"Carnage" at the Village Hall

Here are my notes:

Carnage

USA 2011                    79minutes

Director:                      Roman Polanski

Starring:                        Christolph Waltz, Jodie Foster, John C Reilly and Kate Winslet

Awards and Nominations

• Nominated for two Golden Globes (Jodie Foster and Kate Winslet as Best Actress)
• A further four wins and 13 nominations

“Carnage is a film about four people who hate each other and are unable to leave the room. Sometimes they make it far as the door and once or twice to the lift, though on each occasion they are pulled back by the unfinished business of their exquisite loathing and bitter contempt. With this stealthy adaptation of the Yasmina Reza stage play, director Roman Polanski has rustled up a pitch-black farce of the charmless bourgeoisie that is indulgent, actorly and so unbearably tense I found myself gulping for air and praying for release. Hang on to your armrest and break out the scotch. These people are about to go off like Roman candles.”

Xan Brooks

Following an incident in  a playground in which one boy hits another with a stick and knocks out several of his teeth the two sets of parents meet up to discuss the matter.  Over the course of an evening the meeting disintegrates as each set seeks to assign guilt for an event that seems to have arisen as a result of an accident.

The film is based on the play God of Carnage by the French writer Yasmina Reza which won an Olivier Award for Best Play for its London production and a Tony for Best Play in 2009 following its production on Broadway.  Reza worked on the screenplay with Polanski who kept the American setting of the play, although the film was made entirely in Paris because of Polanski’s legal status: the script does not open out the original script and the main action takes place entirely in the apartment of Penelope and Michael Longstreet (Jodie Foster and John C Reilly).

It is interesting that Polanski has cast the film as a US actor couple versus a non-US actor couple, but all four performers are superb: Foster, Waltz and Winslet have all won Oscars and Reilly has been Oscar nominated, and in the course of a relatively short film Polanski allows all four actors to hurtle through a whole gamut of emotions.

At the age of 79 Polanski shows little signs of slowing down.  In the last ten years he has directed The Pianist (2002), Oliver Twist (2005), The Ghost (2010) and Carnage (2011).  Following the release of Carnage to wide critical acclaim he is currently filming Venus in Furs, based on a play by David Ives, in which a young actress tries to convince a director that she’d be perfect for a role in his forthcoming production.

Here is the trailer: