Stan & Ollie

We screened Stan & Ollie towards the end of last year. The film looks back to the early 1950s and to a world that has long since disappeared, but as the days go by it seems that the world we lived in in 2019 has also now disappeared - hopefully not for good.

I missed the film at the cinema, was delighted to see it finally at our film club and was not in the least disappointed by it.

Stan &Ollie

UK 2018          97 minutes

Director:          Jon S Baird

Starring:            Steve Coogan, John C Reilly, Shirley Henderson, Nina Arianda and Rufus Jones

“Like the comedy greats to whom this winningly warm film pays tribute, Jon S Baird’s affectionate drama balances humour and pathos, laughter and tears. Set in Laurel and Hardy’s twilight years, it’s more melancholy love story than slapstick showbiz reminiscence. … Superb headline performances from Steve Coogan and John C Reilly are matched by equally sparkling supporting turns from Nina Arianda and Shirley Henderson as Stan and Ollie’s combative wives, providing what an astute promoter dubs ‘two double acts for the price of one!’”

Mark Kermode

Awards and Nominations

• Golden Globe nomination for Best Actor (Musical or Comedy) (John C Reilly)
• Three BAFTA nominations including Outstanding British Film and Best Actor (Steve Coogan)
• Seven British Independent Film Award nominations including Best Actor (Steve Coogan) and Best Supporting Actress (Nina Arianda)
• A further three wins and eight nominations

In 1953 Stan Laurel (Steve Coogan) and Oliver Hardy (John C Reilly) undertake a gruelling music hall tour around the UK and Ireland as they struggle to raise finance to make another film. As word of their visit spreads their audiences grow and they begin performing in more prestigious venues, including two weeks at the Lyceum Theatre in London, although ill health meant that the tour was the last time that the pair worked together.

Laurel and Hardy made their first film together in 1921, although both were already well established as film actors in their own right, and over the succeeding 30 years made 106 films together. Their films and the characters they portrayed have remained popular with both the general public and serious film fans to this day as Derek Malcolm, a former film critic of the Guardian who as a teenager actually met them on their tour of the UK, recently admitted:

“As someone who met Orson Welles, Luis Buñuel, John Ford, Satyajit Ray, Howard Hawks, Katharine Hepburn, Charlie Chaplin and many others in the course of a long stint as the Guardian’s film critic, I am often asked who was my favourite movie star. The answer is none of them. My favourites are Stan Laurel and Oliver Hardy. Mind you, I was in my mid-teens when I met them, which probably led to the kind of adolescent hero worship I might later have abjured.”

The screenplay is by Jeff Pope who had previously co-written the Oscar-nominated screenplay for Philomena (2013) with Steve Coogan. His previous work for television includes screenplays for Mrs Briggs (2012), Lucan (2013) and Cilla (2014). Jon S Baird has had a varied career as director where his work includes Filth (2013), based on the novel by Irvine Welsh, and episodes of the series Babylon (2014) and Vinyl (2016) which included Martin Scorsese and Mick Jagger as executive producers.

Here's the trailer:

Philomena

And suddently it's the end of another season.  We've been saving the best until last, or rather we had to wait until Philomena was avilavble on DVD.

To boost our audience numbers we're serving Irish stew and cheeses, and hopefully a load of Guinness will arrive here tomorrow.  Meanwhile I've just finished my notes:

Philomena

UK 2013                      98 minutes

Director:                      Stephen Frears

Starring:                        Judi Dench, Steve Coogan and Anna Maxwell Martin

Awards and Nominations

• Nominated for four Oscars, including Best Film, Best Actress (Judi Dench) and Best Adapted Screenplay (Steve Coogan)
• Won BAFTA for Best Adapted Screenplay (Steve Coogan) and nominations for Best Actress (Judi Dench), Best Film and Best British Film
• A further 19 wins and 36 nominations

“Philomena is something yearned for and lusted after by film-makers and journalists alike – a really good story.  It's a powerful and heartfelt drama, based on a real case, with a sledgehammer emotional punch and a stellar performance from Judi Dench, along with an intelligently judged supporting contribution from Steve Coogan.  Yet the film's apparent simplicity and force come to us flavoured with subtle nuances and subtexts, left there by the people who brought this story to the public.”

Peter Bradshaw

 Following his unexpected defenestration as New Labour Director of Communications in 2002 Martin Sixsmith (Steve Coogan) is working as a freelance journalist when he comes across the extraordinary story of an elderly Irish woman called Philomena Lee (Judi Dench): as a teenage unmarried mother she had been placed in one of the Irish Republic’s notorious Magdalene Laundries (“Why do they call this heartless place Our Lady of Charity?”) and her son was put up for adoption by childless Catholic Americans, and now in her old age she wants to track him down.  Sixsmith then takes Philomena to America on a mission to America in search of her son.

The film received its premier at the Venice Film Festival where it received rave reviews, was nominated for the Golden Lion and won the award for Best Screenplay.  Judi Dench also won great praise for her performance, with Catherine Shoard in The Observer commenting:

"At 78, she skips through scenes, hitting a dozen bases a minute, raising laughs here, tears there, never breaking sweat. This might be the sort of thing she can do in her sleep, but Dench never gives anything less than full welly.”

However when it came to the awards season Judi Dench lost out in both the Oscars and BAFTAs to Cate Blanchett’s barnstorming performance as Jasmine in Woody Allen’s Blue Jasmine.  Steve Coogan as Martin Sixsmith proves himself to be a good actor, but it is Dench who is the dramatic focus of the film and director Stephen Frears, in his best film since The Queen (2006), uses a steady hand to guide the two of them on their odd couple road trip around Ireland and America.


And here's the trailer: