The Girl on the Train

Our most recent film only came out on DVD this week. It was based on a popular best-selling novel, which I had not read, and so we had a good audience for the screening, including several people we had not seen before.

While researching the film in order to write my notes I'd read the plot and so knew roughly what was going to happen. However the fragmented storyline muddied the water sufficiently to keep me on the edge of my seat. My only complaint was that one key flashback was subsequently (and crucially) proven not to have happened: thus I felt a bit cheated because of this.

Here are my notes:

The Girl On The Train

USA 2016                                111 minutes

Director:                                  Tate Taylor

Starring:                                    Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux and Luke Evans

Awards and Nominations

• BAFTA Nomination for Best Actress (Emily Blunt)
• A further three wins and five nominations

“In the end, however, the whole movie rests upon the shoulders of Emily Blunt, and she holds it all together brilliantly, even as her character is falling apart. From the intimacy of My Summer of Love, through the “hangry” sorcerer’s apprentice of The Devil Wears Prada to the sci-fi action heroine of Edge of Tomorrow and the blindsided FBI agent in Sicario, Blunt has proved herself to be a mesmerising presence in a range of genres. In Rachel’s fractured personality, we see echoes of Blunt’s previous screen lives, refracted through a prism of self-destruction that somehow never alienates the audience. Retaining the British accent that makes her even more of an outsider in this scary New World, Blunt convinces completely as a drunken fish out of water. This train may not be bound for glory, but her disruptive company is worth the price of the ticket.”

Mark Kermode

Rachel Watson (Emily Blunt) becomes infatuated by the sight of a seemingly perfect couple visible from her daily commuter train. On one day she sees something that shocks her, and driven on by intrigue and obsession she starts to uncover the truth of what has happened.

The film is based on the best-selling thriller of the same name by Paula Hawkins, although for the purposes of the film the action has been relocated from London to New York. The conceit of the book echoes the classic Agatha Christie detective novel 4.50 from Paddington (filmed as Murder She Said (1961) with Margaret Rutherford playing Miss Marple for the first time), but the dark themes of the story in its cinematic version carry distinct echoes of the work of Hitchcock, especially in films such The Lady Vanishes (1938) and Rear Window (1954).

Emily Blunt began her career on the stage in the UK before moving into TV where she won an award for Most Promising Newcomer for her role in My Summer of Love (2004). She won a Golden Globe for Best Supporting Actress in the TV film Gideon’s Daughter (2006) and shortly afterwards made her Hollywood debut in the comedy The Devil Wears Prada (2006), for which she received both BAFTA and Golden Globe nominations for Best Supporting Actress. Since then she has demonstrated her versatility as a performer with roles in many different genres including historical drama (The Young Victoria (2009)), science fiction (The Adjustment Bureau (2011)), and a musical (Into The Woods (2014)). She is currently filming Mary Poppins Returns in which she has been cast in the title role.

Director Tate Taylor also began his career as an actor with roles for both TV and cinema before making his name as a director with The Help (2011) (for which he also wrote the screenplay). He followed this with Get On Up (2014) a biography of the musician James Brown and currently has various projects as director in development.

 

Here's the trailer:

 

 

The Help

And as the day approaches when the clocks will spring forward into Summer Time, here are my notes for our last screening before the AGM in June:

The Help

USA 2011                    146 minutes

Director:                      Tate Taylor

Starring:                        Allison Janney, Bryce Dallas Howard, Emma Stone, Jessica Chastain, Mike Vogel, Octavia Spencer, Sissy Spacek, Viola Davis

 Awards and Nominations

• Won Oscar for Best Supporting Actress (Octavia Spencer).
• Three Oscar Nominations including Best Picture, Best Actress (Viola Davis) and Best Supporting Actress (Jessica Chastain).
• Won BAFTA for Best Supporting Actress (Octavia Spencer)
• Four BAFTA Nominations including Best Picture, Best Adapted Screenplay, Best Actress (Viola Davis) and Best Supporting Actress (Jessica Chastain).
• Won Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
• A further 37 wins and 46 nominations.

“Let's clear those caveats out of the way first.  The Help is a broad southern melodrama that implicitly frames the push for racial equality as the tale of oppressed African-Americans who are given their voice by a lone white do-gooder.  Its moral universe is rendered in bright cartoonish strokes while its feisty journalist heroine is conveniently allowed to float free from the mores of a culture (specifically 1960s Mississippi) she has lived in all her life. Viewed as an airbrushed, Dettol-heavy fairytale, however, it's rousingly effective.”

Xan Brooks

Eugenia "Skeeter" Phelan (Emma Stone) is a young white woman who returns to her home in 1960s Mississipp, during the Civil Rights era with aspirations of a career in journalism.  She befriends Abileen Clark (Viola Davis) and Minny Jackson (Octavia Spencer), two black maids and) and decides to write a controversial book from their point of view (their white employers refer to them merely as "the help"), exposing the racism they are faced with as they work for white families.

 The film is based on Kathryn Stockett’s best-selling novel which was rejected by 60 literary agents before publication when it then spent more than 100 weeks on The New York Times Best Seller List.  Thee book has strong autobiographical echoes of Stockett’s own life as Stocket was brought up in Mississippi by a black housekeeper and she based the character of Minny on her friend Kathryn Stockett’s who subsequently won many awards, including an Oscar and a BAFTA for her portrayal.  

The film is directed by Tate Taylor from his own screenplay.  He was a school friend of Stockett and he optioned the film rights to her book before it was even published.  His first film as director was a low budget comedy called Pretty Ugly People; with The Help he managed to secure Oscar nominations for three of the actresses and a win for Octavia Spencer.

Here's the trailer: