Several of the committee had seen this film an were unanimous in scheduling it.
While researching it to produce my notes I discovered how low budget it was, and that for a weekend its takings even overtook those from Rogue One.
Having watched it again I retained my original enthusiasm for a film which manages to cover so many complex issues so well. It's a shame it did not too well at the Oscars.
Here are my notes:
The women’s story first came to national attention in Margot Lee Shetterly’s 2016 book Hidden Figures: The American Dream and the Untold story of the Black Women Who Helped Win the Space Race which reached the top of the New York Times Non-Fiction Best Sellers list. The subject had clear cinematic potential but for the purposes of the film the script had to simplify the complex history.
In an interview Shetterly confirmed her understanding of this requirement:
The production budget of the film was USD 25 million and initially it received only a limited release in the US. This was subsequently expanded to 2,471 screens and for its nationwide opening weekend the film’s takings exceeded those of Rogue One: A Star Wars Story (2016). Based on its gross US takings the film was the highest grossing Best Picture Nominee at the 2017 Academy Awards as well as being in the top twenty of the most profitable releases of 2016.
Here's a link to the trailer:
While researching it to produce my notes I discovered how low budget it was, and that for a weekend its takings even overtook those from Rogue One.
Having watched it again I retained my original enthusiasm for a film which manages to cover so many complex issues so well. It's a shame it did not too well at the Oscars.
Here are my notes:
Hidden
Figures
USA 2016 127 minutes
Director: Theodore Melfi
Starring: Taraji P Henson, Octavia Spencer,
Janelle Monae, Kevin Costner and Kirsten Dunst
Awards and Nominations
·
Nominated for three Oscars (Best Film,
Best Supporting Actress (Octavia Spencer) and Best Adapted Screenplay)
·
Nominated for two Golden Globes
including Best Supporting Actress (Octavia Spencer)
·
Nominated for BAFTA for Best Adapted
Screenplay
·
Won Screen Actors Guild Award for
Outstanding Performance by a Cast in a Motion Picture
·
A further 35 wins and 74 nominations
“The
genius of Theodore Melfi’s film is not in the originality of the script
– as far as prestige pictures go, its dramatic and comedic beats are easy to
anticipate – but in the novelty of the story and the liveliness of the
performances.”
Simran
Hans
The
film tells the hitherto untold story of Katherine Johnson (Taraji P Henson),
Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monae), three
African-American women who worked at NASA and were involved with early stages
of the US/USSR space race, culminating in the launch into orbit of the
astronaut John Glenn.The women’s story first came to national attention in Margot Lee Shetterly’s 2016 book Hidden Figures: The American Dream and the Untold story of the Black Women Who Helped Win the Space Race which reached the top of the New York Times Non-Fiction Best Sellers list. The subject had clear cinematic potential but for the purposes of the film the script had to simplify the complex history.
In an interview Shetterly confirmed her understanding of this requirement:
“For
better or for worse, there is history, there is the book and then there's the
movie. Timelines had to be conflated and [there were] composite characters, and
most people [who have seen the movie] have already taken that as the literal
fact. ... You might get the indication in the movie that these were the only
people doing those jobs, when in reality we know they worked in teams, and
those teams had other teams. … Even though Katherine Johnson, in this role, was
a hero, there were so many others that were required to do other kinds of tests
and checks to make [Glenn's] mission come to fruition. But I understand you
can't make a movie with 300 characters. It is simply not possible.”
The production budget of the film was USD 25 million and initially it received only a limited release in the US. This was subsequently expanded to 2,471 screens and for its nationwide opening weekend the film’s takings exceeded those of Rogue One: A Star Wars Story (2016). Based on its gross US takings the film was the highest grossing Best Picture Nominee at the 2017 Academy Awards as well as being in the top twenty of the most profitable releases of 2016.
Here's a link to the trailer: