The Sound of Music

We're screening the singalong version...

Here are my notes:

The Sound of Music


USA 1965 174 minutes

Director: Robert Wise

Starring: Julie Andrews, Christopher Plummer, Eleanor Parker, Richard Haydn and Peggy Wood

Nominations and Awards

• Won five Oscars, including Best Director and Best Picture

• A further 10 wins and 10 nominations


“The movie was the second collaboration of producer-director Robert Wise and screenwriter Ernest Lehman – they had killed West Side Story a few years earlier, which was a more serious crime than making The Sound of Music because the latter had always been brain-dead.”

David Thomson

Maria (Julie Andrews), a young novice leaves an Austrian convent to become a governess to the children of Captain von Trapp (Christopher Plummer), a Naval officer widower.

The film is based on the 1959 stage musical Rodgers and Hammerstein, which itself derived from two West German films: The Trapp Family and The Trapp Family in America. Originally the plan had been for a stage play about the Trapp family which included songs from their repertoire, but this quickly evolved into a full blown musical with all new songs which ran for more than three years on Broadway and which has enjoyed regular revivals since then. The film excluded several songs from the original stage show and included several new songs which have been retained in subsequent stage revivals.

The story of the musical makes significant changes to the real story: Maria Von Trapp was a tutor to just one of the children rather than a governess to the whole family; they lived in Austria for several years after their marriage and had two further children before going into exile; and when the family did go into exile it was by train to Italy, as Captain Von Trapp had Italian citizenship through being born in territory held by Italy after the First World War (and from a geographical perspective Switzerland does not share a mountainous border with Salzburg).

Robert Wise started his career an editor on Citizen Kane (1941) and then worked as assistant director on Welles’s The Magnificent Ambersons (1942) before directing The Curse of the Cat People (1944) for Val Lewton. He directed several more horror films before he turned to noir with the thriller Born To Kill (1947) and his subsequent films encompassed science fiction (The Day the Earth Stood Still (1951)), board room drama (Executive Suite (1954)) and historical epic (Helen of Troy (1956)) before he won his first Oscar for Best Director with West Side Story (1961). He preceded The Sound of Music with the terrifying horror film The Haunting (1963) and followed it with The Sand Pebbles (1966), which secured him an Oscar nomination for Best Picture. He carried on working up to the late 1970s where he directed the first Star Trek film, Star Trek: The Motion Picture (1979). He died in 2005.

Despite his ability to work in and master so many genres Martin Scorsese has argued that his choice of subject matter and approach still functioned to identify him as an artist and not merely an artisan who allowed a story that a studio assigned to dictate his style.

Me and Orson Welles

These are the notes for our screening this Sunday:

Me and Orson Welles


UK 2008 114 minutes

Director: Richard Linklater

Starring: Ben Chaplin, Christian McKay, Clair Danes, Eddie Marsan, Kelly Reilly, Zac Efron, Zoe Kazan

Nominations and Awards

• BAFTA Nomination for Best Supporting Actor (Christian McKay)

• A further three wins and nine nominations

“Me and Orson Welles is not only entertaining but an invaluable companion to the life and career of the Great Man.”

Roger Ebert

In 1937 Richard Samuels (Zac Efron) on a visit to New York meets Orson Welles (Christian McKay) who hires him to play the part of Lucius in a modern dress version of Julius Caesar that he is directing at the Mercury Theatre.

The film is based on real events, although its story comes from a novel by Robert Kaplow, who had seen a photograph of Orson Welles and a young man and wondered what the young man was thinking. The majority of the characters portrayed in the film are real people and it goes to great lengths to recreate the first night of what was for its time a radical version of Shakespeare’s play: the actors wear dark green uniforms and Sam Browne belts and salute with raised arms - all deliberately chosen to echo contemporary events in Mussolini’s Italy.

The film received many positive reviews with many critics selecting Christian McKay for his performance as Welles for particular mention. McKay had not previously appeared in a leading role on screen but had played Welles in a one-man show on stage in both the UK and USA. In his review Philip French commented:

“...at the end the show belongs to Christian McKay, the fourth and best actor to play Welles on screen. When we first see him the resemblance is merely passing, but after five minutes we think we're in the presence of the arrogant, irresistible young Orson himself, such is the accuracy of the body language, the facial expressions and above all that resonant voice, purring and booming. When after the first night curtain he asks, "How the hell do I top this?", the complexity of his future life flashes before us.”

Despite its New York setting Richard Linklater shot most of the film in the UK, both at Pinewood Studios and a number of locations including the Isle of Man where the Gaiety Theatre in Douglas was used for the inside of the Mercury Theatre.

Richard Linklater made his name with a series of independent films like Slacker, Dazed and Confused and Before Sunrise that have non-formulaic narratives and seemingly random occurrences, which some critics have hailed as alternatives to contemporary blockbusters. His films also concentrate on philosophical talk rather than physical action, thus linking him with traditional European art house cinema. His next film will be Bernie, a black comedy based on the true story of the murder of a rich Texan widow in the 1990s.