One Day

Another month and another film... Here are my notes for this week's screening:

One Day

UK 2011                      108 minutes

Director:                      Lone Scherfig

Starring:                        Anne Hathaway, Jim Sturgess, Jodie Whittaker, Ken Stott, Patricia Clarkson, Rafe Spall, Romola Garai

 “In a season of movies dumb and dumber, One Day has style, freshness, and witty bantering dialogue. Anne Hathaway is so attractive that she would be advised to sometimes play against type (the eyeglasses she wears at the beginning are a bit over the top).  Jim Sturgess contributes the film's most versatile performance, one that depends on exact timing and control of the balance between pathos and buffoonery.  It's a decent night at the movies, if however a letdown after An Education, the previous film by Lone Scherfig.”

Roger Ebert

Upper class Dexter (Jim Sturgess) and working class Emma (Anne Hathaway) graduate from the University of Edinburgh on 15^th July 1988; they spend the night together but decide to remain just as friends.  The story then follows their respective lives on the same date over the next twenty years. 

The film is based on the award-winning novel of the same name by David Nicholls.  He worked as an actor for a number of years before writing several number novels as well as a number of TV and film scripts.  His screenplays include adaptations of two his novels: Starter for 10 (2006) and One Day (2011). 

 In the book the unusual structure of following the protagonists on just one day over a twenty year period works well, although in the film it is possible to see this just as a gimmick.  However as author of both the original novel and the screenplay there must be a reason for its retention and in The Guardian film blog David Cox proposes an interesting theory:

“Emma and Dex throw away what should have been the prime of their lives. He wraps himself up in coke and self-love; she hides herself in her own cocoon of denial. The book's annual audit anatomised their folly in meticulous detail. Their wasted years were mercilessly ticked off and the course of their delusion was unerringly charted until they were subjected to deserved punishment.

This is the chronicle of wasted youth, rich in emotional nuance and period detail, that the book's snapshots encapsulated so tellingly. In the film's necessary haste, they reveal only blurry banality. Perhaps this key element of the book could have been conveyed through some means other than annual snapshots in a way that would have been more compatible with a two-hour film. Perhaps not.”

There was also criticism of Anne Hathaway’s Yorkshire accent, with one critic describing it as all over the shop (“Sometimes she's from Scotland, sometimes she's from New York, you just can't tell.”).  Anne Hathaway subsequently claimed that she watched Emmerdale to help her as she found the accent “a challenge”.

 Lone Scherfig started her career in Denmark, but she gained worldwide fame when she directed the internationally successful An Education in the UK.

Here's the trailer:

Water for Elephants - My Notes

After last week's struggle I managed to finish my notes.  I had not been looking forward to the film, but in the event it was better than several of the reviews had suggested.  There was a weakness in the central love triangle but whether this was due to casting or the script I'm just not sure.

Here are my notes:

Water for Elephants

USA 2011                    121 minutes

Director:                      Francis Lawrence

Starring:                        Reese Witherspoon, Robert Pattinson and Christoph Waltz

 Nominations and Awards

• Robert Pattinson won Best Actor at the 2011 Teen Choice Awards
• A further six nominations

“There’s something endearingly old-fashioned about a love story involving a beautiful bareback rider and a kid who runs off to join the circus.  What makes Water for Elephants more intriguing is a third character, reminding us why Christoph Waltz deserved his supporting actor Oscar for Inglourious Basterds.  He plays the circus owner who is married to the bareback rider and keeps everyone else in his iron grip.”

Roger Ebert

As an old man Jason (Hal Holbrook) meets the proprietor of a small travelling circus that he has visited and reveals that he once worked in a circus and was present during one of the most famous circus disasters of all time.   The proprietor asks him to share his story, and he tells how as a young man (now played by Robert Pattinson) after the death of his parents in a car crash he drops out of veterinary school and joins a circus where he uses his skills to look after the health of the circus animals and becomes involved in a tragic love triangle with Marlena (Reese Witherspoon) and her husband (Christoph Waltz) the owner of the circus

The film is based on the best-selling novel by Sara Gruen with a screenplay by Richard LaGravenese who has written screenplays for more than 15 films, including The Bridges of Madison County (1995), The Horse Whisperer (1990) and The Chronicles of Narnia: The Voyage of the Dawn Treader (2010).   However it is the involvement of Robert Pattinson in the film that attracted most publicity.  Following the global success of the Twilight series of films his involvement in Water for Elephants was an attempt to broaden his range beyond that of the brooding vampire.  He received good reviews for his performance of this film and stood his ground against the other two principal actors both of whom have won Oscars for their performances in earlier films.  Following the completion of the Twilight series he has played the lead role in Bel Ami (the first feature film from acclaimed stage directors Declan Donellan and Nick Ormerod) and is currently filming Cosmopolis directed by David Cronenberg.

Here's a link to the trailer: