Cinema Paridiso: Silver Anniversary

This is a fascinating article about the various versions of Cinema Paradiso:

http://www.theguardian.com/film/filmblog/2013/dec/09/cinema-paradiso-25th-anniversary

For many years it was just one of those films on my ever-growing "must see" list - until two years ago when we screened it at out film society.  Many of our regulars had seen it several times and a number of strangers travelled from far and wide to see it. When it was over I could understand why they were so keen to see it, and it's now on my "must see again" list.

I particularly liked the following quote from Stephen Woolley who originally distributed the film in the UK:

"Cinema Paradiso is a movie about memory, and for our generation cinema was a place to congregate, a magical place to let your imagination run free. The character of the cinemas of my childhood and youth were all different and special. Now it's all boxes, little long rooms, every cinema is the same, they smell the same, they have the same character, the sameness is the central quality. It's like air travel, it used to be an occasion, now it's a fast-food experience."
 

As a taster, here's the trailer:

Cinema Paradiso

I tend to write my notes at different times and in different places, but these have to be the most unusual. I wrote most of this between a series of meetings held over three days in London while negitiating the finer points of an international support contract.

I have to admit that this is one film that until this screening had escaped me, but having seen it I'd be happy to see it again. I subsequently found the soundtrack on Spotify and spent an enjoyable hour listening to it while marking up a contract for a bid I'm working on. Such are the joys of working from home.


Cinema Paradiso

Italy 1988 (123 minutes)
Director: Giuseppe Tornatore
Starring: Salvatore Cascio, Marco Leonardi, Philippe Noiret and Jacques Perrin
Awards and Nominations

Won Oscar for Best Foreign Language Film.
A further 19 wins and 12 nominations


A famous film director returns home to a Sicilian village for the first time after almost 30 years. He reminisces about his childhood at the Cinema Paradiso where Alfredo, the projectionist, first brought about his love of films. He also remembers his lost teenage love, Elena, whom he left behind when he set off for Rome.

In a poll in 2007 readers of The Guardian chose Cinema Paradiso as the greatest foreign language film ever made by a considerable margin. However when it was originally released in Italy it performed badly at the box office and it was shortened to 123 minutes for its international release. In this version it became an instant success: amongst its many awards it won both the Special Jury Prize at the 1989 Cannes Film Festival and the Oscar for Best Foreign Language Film. In 2002 Tornatore released an extended director's cut with a running time of 173 minute version (known in the U.S. as Cinema Paradiso: The New Version).

The 2002 version reinstates more of the story of the adult Elena, but all three versions omit the major historical national and international events of the period that would have affected the whole of Italy after the Second World War, focussing instead on the different films screened in the village. But it is this infectious celebration of film that makes the repeat viewings worth it . As David Thomson puts it:

“It has many film clips, from Renoir to Antonioni, and a little boy’s face as seen through the booth window is a winning effect – the first dozen times you see it. After that, you’re on your own.”

Tornatore has made ten further films in the 20 years since the release of Cinema Paradiso, but to date none of them has even come close to matching its worldwide success.

Weird Stuff

One of the joys of my role in the Film club is that I have a valid excuse to search out reviews and other information on the films that we are screening so that I can produce the notes for our members.

Usually this involves a quick trawl through the archives of Philip French and Peter Bradshaw with the odd vist to Wikipedia and IMDB for a killer quote or a list of awards and nominations. However Cinema Paradiso presented me with a challenge as it appeared long before online reviews, although of course it featured regularly in the usual "best of" lists. However conicidentally I had picked up my copy of Have You Seen?: A Personal Introduction to 1000 Films by David Thomson, which is brilliant for late-night browsing, although I am still only on the letter C. I hadn't looked at it for a while, but after opening the at my bookmark I turned the page to find his article on Cinema Paradiso. Spooky!