The Thatcher Era - in films

It was during the 1980s that for the first time in my life I had access to good cinemas and film clubs and thus had the chance to see most of the films I wanted to as they came out. 

Not many of them are overtly political, and looking back it is difficult to see too many unifying themes beyond the fact that they are good and merit re-watching.

In no particular order here they are:

1. The Company of Wolves (1984)
I'd been a lifelong admirer of Angela Carter's and Neil Jordan's tribute to Hammer, co-scripted by Carter did not disappoint:

2. Local Hero (1983)
Gregory's Girl was brilliant but parochial.  Local Hero with its environmental theme and music by Mark Knopfler was a well-deserved international hit.

 

 

3. The Long Good Friday (1980)



I'd been a lifelong fan of Helen Mirren since O Lucky Man!  Bob Hoskins gives a superb performance and the whole film is brilliant.

 

 

4. The Draughtsman's Contract (1982)

This is the complete antithesis to the social realist films that appeared in the 1980s but was a well-deserved success. The soundtrack by Micheal Nyman was a revelation and I've loved his music ever since.

5. The Ploughman's Lunch (1983)
The script is by Ian McEwan, the director is Richard Eyre and the lead actor is Jonathan Pryce.  For me this is the film of the 1980s that best sums up the Thatcher era.

Made in Dagenham

Another week and another screening.  Here are my notes:

Made in Dagenham

UK 2010                      113 minutes

Director:                      Nigel Cole

Starring:                        Sally Hawkins, Rosamund Pike, Bob Hoskins, Miranda Richardson and Geraldine James

Nominations and Awards

• Nominated for 4 BAFTAs including Outstanding British Film and Best Supporting Actress (Miranda Richardson)
• Another 8 nominations including nominations for Best Actress (Sally Hawkins), Best Supporting Actress (Rosamund Pike) and Best Supporting Actor (Bob Hoskins) at the British Independent Film Awards

“The unexpected thing about Made in Dagenham is how entertaining it is. That's largely due to director Nigel Cole's choice of Sally Hawkins for his lead. In Mike Leigh's Happy Go Lucky (2009) and again here, she shows an effortless lightness of being. If she has a limitation, it may be that she's constitutionally ill-adapted for playing a bad person”

Roger Ebert

Rita O’Grady (Sally Hawkins) unwillingly becomes shop steward at Ford’s Dagenham plant and then leads a strike of the 187 women sewing machinists, when they walk out against sexual discrimination and claim equal pay. The strike is successful and Barbara Castle (Miranda Richardson), as Secretary of State for Labour in Harold Wilson’s government uses it to promote what was to become the 1970 Equal Pay Act.

The inspiration for the film was a radio programme which reunited personnel from both sides of the strike many years later.  Steven Wooley as producer heard the programme and realised its potential as a subject for a film: the key historical events of the story are true, some individual elements of the original characters reappear in some of the strikers, while other characters are entirely fictional.

In the central role of Rita Sally Hawkins is superb: she made her name in a series of films with Mike Leigh, but the tone of this film, despite the potentially grim nature of the subject, is closer to Calendar Girls (also directed by Nigel Cole).  Philip French also suggests a comparison with a naughty Carry On film rather than to Ken Loach’s Bread and Roses, another film about a strike by women, this time by Latino office cleaners in Los Angeles.  

However the film is far more than a vehicle for Sally Hawkins: the cast includes established actresses like Geraldine James and Miranda Richardson as well as rising stars like Andrea Riseborough (Brighton Rock and Never Let Me Go) and Rosamund Pike (Pride and Prejudice and An Education).  Bob Hoskins earned good reviews for his role as a minor union official who is both mentor and friend to Rita and there is a superb cameo from John Sessions as a pipe-smoking Harold Wilson.

Despite the good reviews and numerous nominations for awards, Made in Dagenham had the misfortune to be released in the same year as The King’s Speech which in total won more than 60 major awards.

Here's the trailer: