From The Archives...

We screened Volver in our first season, some time before I started this blog.

I have to own up to a massive whole in my film watching history: this was the first film by Almodóvar that I had ever seen, although I'd been aware of his work for many years.  Needless to say it blew me away and I now have my own copy of DVD as well.

this is one of the fist examples of me committing to produce notes on a film I had not seen.  Having just re-read the notes I hope they stand the test of time:

VOLVER/COMING HOME

Spain 2006, 121 minutes

Director:          Pedro Almodóvar

Starring:          Penélope Cruz, Carmen Maura etc

Awards and Nominations:  

Cannes Film Festival: 

Winner:                                   Ensemble Cast (Joint Winners of Best Actress)

                                                Pedro Almodóvar (Best Screenplay)

Nomination:                            Golden Palm

Oscar Nominations:                Penélope Cruz (Best Actress in a Leading Role)

                 
BAFTA Nominations:            Best Film Not in the English Language

                                                Penélope Cruz (Best Actress in a Leading Role)       

Volver, which translates into English as Coming Home or Coming Back, is an intriguing melodrama inspired by the trash TV that is the soundtrack to its characters’ lives.  Penélope Cruz is Raimunda, a hard-working woman with a teenage daughter and a feckless, lazy husband.  With her sister Sole she tends the graves of her parents and visits her ailing aunt Paula, who is in the final stages of dementia.  There is a sudden act of violence which destroys Raimunda’s family life and a secret about her late mother Irene that emerges when Irene returns from beyond the grave to contact her astonished daughters.

Almodóvar is the most successful and internationally known Spanish filmmaker of his generation.  He started making films in 1980, but did not have his first international success until Woman on the Verge of a Nervous Breakdown in 1988.  He followed this with Live Flesh (1997), based on a novel by English crime writer Ruth Rendell, All About My Mother (1999), which won an Oscar for Best Foreign film and a Best Director Award for Almodóvar and which has just been staged as a play at the Old Vic in London, and Talk To Her (2002) which won an Oscar for Best Original Screenplay.  All his films are marked by complex narratives, employ the codes of melodrama and use elements of pop culture and irreverent humour.  He describes Volver as a cross between Mildred Pierce, in which a career woman takes the rap for a murder that her daughter has committed, and Arsenic and Old Lace, which involves a pair of old ladies involved in homicide, and in it he somehow manges to connect the various narrative strands into a lucid pattern of generational conflict and female bonding that remains psychologically convincing.

Penélope Cruz gives a brilliant performance as Raimunda, and in a superb female ensemble cast Carmen Maura, outrageous star of Almodóvar’s earlier films, as Irene also stands out.  Penélope Cruz was deservedly nominated for a Best Actress Award for her performance, but not for the fist time the Cannes Jury decided to go one better: having decided that it was impossible to choose between all the performances, they uniquely awarded the Best Actress Award to the Ensemble Cast.

Here's the trailer:

Broken Embraces (Los Abrozos Rotos)

These are my notes for Broken Embraces which we will screen on Sunday evening:

Broken Embraces (Los Abrozos Rotos)

Spain 2009 127 minutes

Director: Pedro Almodovar

Starring: Angela Molina, Blanca Portillo, Jose Luiz Gomez, Lluis Homar, Penelope Cruz, Ruben Ochandiano and Tamar Novas

Nominations and Awards

• Nominated for BAFTA (Best Film not in the English language)

• Nominated for Palme d’Or at Cannes Film Festival

“...a richly enjoyable piece of work, slick and sleek, with a sensuous feel for the cinematic surfaces of things and, as ever, self-reflexively infatuated with the business of cinema itself.”


Peter Bradshaw

Harry Caine (Lluis Homar) is a blind scriptwriter who is assisted by his faithful assistant Judit (Blanca Portillo) and her son Diego (Tamar Novas).  His past catches up with him when he hears of the death of Ernesto Martel (Jose Luiz Gomez), a wealthy businessman who had hired him, then known as Mateo Blanco, to direct an ironic comedy called Girls and Suitcases and starring the beautiful Lena (Penelope Cruz) who had become Martel’s mistress to pay her father’s medical bills.  Blanco fell in love with Lena, and Martel sent his gay son to film the making of the film and to give him the daily footage which he obsessively scrutinised.  Blanco and Lena ran away together, but they were involved in a car crash which left Blanco blind.

Almodovar has a lifelong obsession with cinema, and cinematic references homages and quotations appear throughout his films and are often part of their fabric: All About My Mother combines elements of All About Eve and A Streetcar Named Desire, but Broken Embraces is actually about film and the process of making films, which Almodovar suggests is a metaphor for life itself.  The style of the film is 1950s American film noir, but the story, with its dual narrative and father/son and straight gay opposites is reminiscent of other Almodovar films.  Additionally Girls and Suitcases, is a pastiche of Women on the Verge of a Nervous Breakdown (1987) which was Almodovar’s first major success.  The cast also includes many Almodovar regulars such as Angela Molina and Penelope Cruz (in her fourth Almodovar film).

The film was first screened in competition in the 2009 Cannes Film Festival along with Inglourious Basterds and Looking For Eric but lost the Palme d’Or to Michael Haneke’s The White Ribbon (which we screened in our 2009 season).