Jackie

I'm a little out of sequence, as we screened this before Their Finest. I'd read the reviews and wanted to see this very much, so I was delighted when we decided to screen this and in no way disappointed when I saw it.

Here are my notes:

Jackie

USA 2016        100 minutes

Director:          Pablo Larrain

Starring:            Natalie Portman, Peter Sarsgaard, Greta Gerwig, Billy Crudup and John Hurt

Awards and Nominations

• Three Oscar Nominations including Natalie Portman (Best Actress) and Mica Levi (Best Original Music)
• Three BAFTA Nominations including Natalie Portman (Best Actress) and Mica Levi (Best Original Music)
• A further 39 wins and 146 nominations

“…an astonishing, inside-out revision of the Kennedy mythos that can instantly be filed among the greatest of all White House biopics. Examining and cross-examining Jacqueline Kennedy in the days following JFK’s assassination, it’s at once a skin-grazingly intimate study of a glittering facade’s wrecked interior, and a wider, more searching consideration of how historical legacies are built, maintained and potentially dismantled. Assisted by the icy, stealthy gaze of Larrain’s camera and the eerie, keening strings of Mica Levi’s score, Portman’s unabashedly heightened portrayal redesigns an icon as an alien.”

Guy Lodge

 

In a series of interviews with an unnamed journalist (Billy Crudup) Jackie Kennedy (Natalie Portman) tells of her experiences of life in the White House with President Kennedy, the events of his assassination in Dallas, and the subsequent period as Lyndon B Johnson took over the presidency.

The film was initially conceived as TV mini-series covering the four days between Kennedy’s assassination and burial, with Steven Spielberg as producer. When this fell through the script was reworked screenplay for a feature film with Rachel Weisz in the title role and Darren Aronofsky as director. This lapsed when the two ended their relationship, and it finally went into production with Aronofsky as producer, Natalie Portman (who had won an Oscar for her performance in Aronofsky’s Black Swan) as Jackie Kennedy, and Pablo Larrain as director after Aronofsky had admired his award-winning Spanish film The Club (2015).

Pablo Larrain is an award-winning Chilean film maker whose work has included both TV series and feature films; among the latter Tony Manero (2008) was screened at the Cannes Film Festival to rave reviews, No (2012) received an Oscar nomination for Best Foreign Language Film, and El Club (2015) won the Silver Bear at the Berlin Film Festival. Jackie is Larrain’s first English-language film, and although he had no experience of directing a biopic and did not have any history or knowledge of President Kennedy’s assassination he stated that he had connected with Jacqueline Kennedy. To him her life after the assassination “had all the elements that you need for a movie: rage, curiosity and love”.

The film received its world premiere at the 2016 Venice Film Festival and was subsequently also screened at the Toronto Film Festival. After it was released in the US to positive reviews it was nominated for three Oscars, including Best Actress and Best Original Score.

John Hurt’s role of the Priest in this film was his last performance released before his death in January 2017.

Here's the trailer:

 

Their Finest

The less "official" work I have to do, the more my day seems to fill up with other urgent matters: hence there is less time for me to keep this blog up to date.

Thus although we have finished our screenings for the Christmas period I am behind with posting my notes, so here we go with the first catch-up session.

Their Finest was my recommendation after having seen it at the cinema. It was good to see that it went down well, I enjoyed it even more at a second viewing and I was delighted to see that Peter Bradshaw in The Guardian has nominated the screenplay as one of the best of the year.

Here are my notes:

Their Finest

UK 2016          117 minutes

Director:          Lone Scherfig

Starring:            Gemma Arterton, Sam Clafin, Bill Nighy, Jack Huston and Paul Ritter

Awards and Nominations

• Nominations for Best Debut Screenplay (Gaby Chiappe) and Best Effects at the British Independent Film Awards
• One other win and one other nomination

“You’d need a heart of stone and a funny bone of porridge not to enjoy this sweet-natured and eminently lovable British film – a 1940s adventure, with moments of brashness and poignancy. It’s all about the love that flowers in the ruins of blitz-hit London and in the dusty offices of the Ministry of Information’s film unit as various high-minded creative types use the magic of cinema to keep the nation’s pecker up.”

Peter Bradshaw

 

During the London Blitz Catrin Cole (Gemma Arterton) is recruited by the Ministry of Information to write scripts for propaganda films that the public will like, and investigates a story of two young girls who supposedly piloted a boat to help with the evacuation at Dunkirk. The story turns out to be not entirely true but it provides the basis of a feature film that the MoI team decide to make. They cast veteran actor Ambrose Hilliard (Bill Nighy) in a supporting role and as the film goes into production they constantly have to revise the script to meet government requirements, including the unexpected addition of an American character to the beaches of Dunkirk so that the film will help the appeal to the US to join the war on the Allied side.

The film is one of several recent releases – Dad’s Army (2016), Darkest Hour (2017), Dunkirk (2017) and Churchill (2017) – that cover an earlier period in British history which involved certain difficulties relating to events in mainland Europe. Perhaps this focus on Europe reflects current political pre-occupations, although the government’s approach to the Brexit negotiations seems to be far closer to the Home Guard of Walmington-on-Sea rather than to Churchill, as depicted in Darkest Hour, who as a newly appointed Prime Minister in the summer of 1940 used his eloquence to persuade the Cabinet to continue to fighting Hitler and the Nazis rather than seek some form of negotiated settlement; this was the decisive event which saved the country and which Simon Schama has rightly described as “the first great battle of the Second World War”.

In his enthusiastic review of the film Peter Bradshaw focuses on the filmmaking part of the story rather than its historical context and compares the film with Truffaut’s La Nuit Americaine (1973):

“It’s a film unashamedly and cheerfully in love with the conjuring tricks and artifice of cinema. There’s a showstopping matte shot of massed troops on the Dunkirk beach, painted on to glass, and a demonstration of how dubbing and editing can create an illusion of physical presence. Truffaut talked about la nuit americaine – here’s a film about la nuit britannique, a very British kind of film magic. In an earlier scene, Amanda Root plays an actress wearing a hat that recalls Celia Johnson in Brief Encounter, and later there’s a scene next to a mocked-up third-class railway carriage.”

Lone Scherfig began her career in Denmark before making her name internationally with the Oscar-nominated An Education (2009). Her subsequent work has included One Day (2011), an adaptation of the novel by David Nicholls, and The Riot Club (2014), a filmed version of Laura Wade’s play Posh.

 Here's a link to the trailer: