Here are the notes I wrote before seeing the film:
The Boy in the Striped Pyjamas
UK/USA 2008 (94 minutes)
Director: Mark Herman
Starring: Asa Butterfield, Jack Scanlon, David Thewliss and Vera Framiga
Awards and Nominations
Two wins and five nominations including:
* Vera Franiga won the Best Actress Award and Mark Herman was nominated as Best Director at the British Independent Film Awards
* Joint Winner (with Slumdog Millionaire) of the Audience Award at the Chicago Film Festival
Bruno (Asa Butterfield) is living a comfortable life in Berlin during the Second World War but things change for the worse when his family has to move to the country: his father (David Thewliss) is a high ranking Nazi SS officer and his new posting is as commandant of a concentration camp. In his innocence Bruno sees the camp as a “farm”, and after initially wondering why the inhabitants all wear striped pyjamas he makes friends with a young Jewish boy of his own age who lives in the camp.
The film is based on the book of the same name by John Boyne, who described his story as a parable rather than historical fiction. But Boyne’s choice of the Holocaust as background to his novel was bound to provoke strong reactions: one reviewer questioned the overall premise of the story, claiming that there were no nine year old boys in Auschwitz as the Nazis killed all those not old enough to work. But on this specific point Boyne is close to the truth: records from Auschwitz registered that in January 1944 there were 773 male children under the age of 15 living in the camp and some were used as messengers, although it is impossible to forget the enormous numbers of other children who died in the gas chambers every day.
The film produced similarly mixed reactions from its audiences, with a tranche of good reviews praising its fidelity to the source novel and its avoidance of a clichéd ending, but with a dissenting critic who while accepting the power of the film described it as a Hollywood version of the Holocaust, literally a Disneyfication.
Mark Herman first came to prominence as writer and director of films like Brassed Off (1996) and Little Voice (1998). John Boyne is a graduate of the school of Creative Writing at UEA and has written eight other novels, although none has matched the success of The Boy in the Striped Pyjamas which to date has sold more than five million copies worldwide.
Even though I knew the story the film was just as powerful as I had expected it to be, and the audience left in almost complete silence.
This blog contains the notes that I write for the films we screen in our village film society together with other posts about films I've seen or film related articles and books that I've read.
Monday, November 23, 2009
Sunday, November 1, 2009
Inherit The Wind
We've just been to see Inherit the Wind at the Old Vic, a dramatisation of the famous Scopes Monkey Trial with Kevin Spacey and David Troughton giving brilliant performaces as the defence and prosection attorneys.
When the play was first performed in the 1950s it was seen as a critique of the anti-communist witch hunts (it appeared at the same time as The Crucible), but following recent news reports about the alleged support for the teaching of creationism in schools, it now comes across as a critique of the idiocies of biblical literalism. Philip Pullman wrote a facinating article showing how both political and religious totalitarianism fears knowledge, and seeing a play like this makes us realise that the battle with superstition will be never-ending.
I've recently been reading Darwin, and his "theory" is substantiated by examples gleaned from years of detailed research and observation. For the record I'm not against the teaching of creationism in schools: just so long as it forms part of a general session on creation myths and no one makes a claim that there is the merest iota of truth in it.
When the play was first performed in the 1950s it was seen as a critique of the anti-communist witch hunts (it appeared at the same time as The Crucible), but following recent news reports about the alleged support for the teaching of creationism in schools, it now comes across as a critique of the idiocies of biblical literalism. Philip Pullman wrote a facinating article showing how both political and religious totalitarianism fears knowledge, and seeing a play like this makes us realise that the battle with superstition will be never-ending.
I've recently been reading Darwin, and his "theory" is substantiated by examples gleaned from years of detailed research and observation. For the record I'm not against the teaching of creationism in schools: just so long as it forms part of a general session on creation myths and no one makes a claim that there is the merest iota of truth in it.
Subscribe to:
Posts (Atom)